[postlink]
https://aflammaghribia.blogspot.com/2013/06/switchers-la-serie-2-episode-1-le.html[/postlink]
http://www.youtube.com/watch?v=5XO8uMXYQhgendofvid
Sometimes I wish I got a second viewing of a film before I wrote the review. Switchers La Série 2 complet throws so much at you with its layers of symbolism, psychosexual metaphors, and rich thematic undertones. And instead of furiously scribbling notes, I let myself become lost in Matthew Libatique's gorgeous cinematography, Clint Mansell rich score, and Natalie Portman's phenomenal performance. I wanted to pick apart and analyze Switchers La Série 2 but director Darren Aronofsky had to go and create another brilliant movie that I wanted to see again as soon as the end credits began to roll. so how is Switchers La Série 2 ??
As Nina, the pretty virginal ballerina, tries to draw out her dark side for the production, she becomes not only more reckless but also teeters on the edge of schizophrenia. The anxious, neurotic ballet dancer has a loose grip on reality. Her world of artistic, expressive labour is punctured by strange visions—she can't tell what's real and what's imagined. People shapeshift, appear and disappear, pictures talk to her. Her role, both as Switchers La Série 2 star and perfect daughter, begins to consume her. This is director Darren Aronofsky's terrain: Requiem for a Dream, The Wrestler and Switchers La Série 2 are all about various forms of consumption, literal and metaphorical. Appetites for destruction? i think now you know Switchers La Série 2!
Oh, and did I mention that Nina is going batshit fucking loco? That she's hallucinating, scratching at herself, and possibly turning into a human-swan hybrid? Because that's also happening.
Switchers La Série 2 is the art-is-hard companion piece to Darren Aronofsky's athletics-is-hard film, The Wrestler. Natalie Portman plays ballet dancer Nina, who dreams—literally, in the first frames of the Switchers La Série 2 of playing The Swan Queen in a New York production of Tchaikovsky's Switchers La Série 2 . Ladies being, y'know, gossipy bitches, shit gets bitchy in this backstage drama. The role is coveted, calling on a virtuosic combination of white swan grace and Switchers La Série 2 impulsiveness. It comes down to Nina and Lily (Mila Kunis), a darker, more intuitive dancer from amoral San Francisco. Also coveted is the ballet's director (Vincent Cassell) who glowers, leers and shouts Very Inspirational And Motivating Things at the dancers, like Anthony Robbins on an art school tour.
Sometimes I wish I got a second viewing of a film before I wrote the review. Switchers La Série 2 complet throws so much at you with its layers of symbolism, psychosexual metaphors, and rich thematic undertones. And instead of furiously scribbling notes, I let myself become lost in Matthew Libatique's gorgeous cinematography, Clint Mansell rich score, and Natalie Portman's phenomenal performance. I wanted to pick apart and analyze Switchers La Série 2 but director Darren Aronofsky had to go and create another brilliant movie that I wanted to see again as soon as the end credits began to roll. so how is Switchers La Série 2 ??
As Nina, the pretty virginal ballerina, tries to draw out her dark side for the production, she becomes not only more reckless but also teeters on the edge of schizophrenia. The anxious, neurotic ballet dancer has a loose grip on reality. Her world of artistic, expressive labour is punctured by strange visions—she can't tell what's real and what's imagined. People shapeshift, appear and disappear, pictures talk to her. Her role, both as Switchers La Série 2 star and perfect daughter, begins to consume her. This is director Darren Aronofsky's terrain: Requiem for a Dream, The Wrestler and Switchers La Série 2 are all about various forms of consumption, literal and metaphorical. Appetites for destruction? i think now you know Switchers La Série 2!
Oh, and did I mention that Nina is going batshit fucking loco? That she's hallucinating, scratching at herself, and possibly turning into a human-swan hybrid? Because that's also happening.
Switchers La Série 2 is the art-is-hard companion piece to Darren Aronofsky's athletics-is-hard film, The Wrestler. Natalie Portman plays ballet dancer Nina, who dreams—literally, in the first frames of the Switchers La Série 2 of playing The Swan Queen in a New York production of Tchaikovsky's Switchers La Série 2 . Ladies being, y'know, gossipy bitches, shit gets bitchy in this backstage drama. The role is coveted, calling on a virtuosic combination of white swan grace and Switchers La Série 2 impulsiveness. It comes down to Nina and Lily (Mila Kunis), a darker, more intuitive dancer from amoral San Francisco. Also coveted is the ballet's director (Vincent Cassell) who glowers, leers and shouts Very Inspirational And Motivating Things at the dancers, like Anthony Robbins on an art school tour.
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